Hope in the Key of Chōra

Abstract

To questions in search of a hope that does not rely on a motif of Christian promise, Westhelle’s apocalyptic hope offers a meaningful response. Shifting hope into a spatial realm, Westhelle conveys the expectant emotions evoked in the crossing. These emotions are evoked not by a promise, but by a proximity. In times of health crisis, and near Westhelle’s own end, the body itself becomes such a space. The pastoral function of a choratic hope, as identified by Westhelle, is one of voicing. It gives voice to the experience of apocalyptic anticipation, illustrating and describing rather than dressing or prescribing a pastoral solution or consolation.